M. Cristina Marras
50
55
60
65
70
75
80
85
90
95
100
105
110
115
120
125
130
135
140
145
150
155
160
165
170
175
180
185
190
195
200
205
210
215
220
225
230
235
240
245
250
255
260
265
270
275
280
285
290
295
300
305
310
315
320
325
« Back

The narrative of sound (part 1 of 4)

Sound is invasive, it drapes around and permeates your being. Try to block it with the fingers in your ears, and the sound still reaches you, reverberating through the bone structure of the body. Sound is pervasive, persistent and usually, it can get everywhere. Just like cancer.

I am not sure whether I had already this metaphor in my head when I decided to apply for the Cancer Council VIC/BreastScreen Vic small grant, supporting migrants accessing cancer screening. What I had in my head was an idea: using sound to explore feelings, anxiety and prejudices around cancer, and to do this through the involvement of a group of women, travelling with them along the stages of uncertainty (shall I do the screening?), worry (what if it comes positive?), misconceptions (I’m sure it’ll hurt) related to screening for cancer.

I was successful with my application. Cancer Council VIC liked my idea, especially for its potential to reach those professional, independent women who don’t see themselves as belonging to the category migrant in need of support. A category that I know very well as I belong to it.

I’m starting my project now and, just like for any other podcast I have produced so far, it’ll be a matter of finding the right balance between words and images, leaving just enough white spaces to allow each listener to complete the blanks and, by doing so, appropriate the narrative of sound.

Stay tuned.

(listen now or read part 2)

Copy
back to top